On the build up to Peters 4th single from his debut album, “All Around And Everywhere”, we catch up with him to talk all about it.
So….What was life like for you before you got into music?
I don’t remember “before,” because the first musical notes I heard were actually before I was born. My mother played flute when she was pregnant with me 🙂 Both my parents are musicians, so I was born into a musical and creative surrounding. Music has always been there, part of me-so there’s no real before.
What’s the live music scene like in your city right now? Anyone we should be looking out for?
I’ve been on the road as part of a European tour lately-Lisbon, Barcelona, Madeira-performing at festivals, clubs, and sometimes in nature. So my city music scene is actually nomading atm – Along the way I connected with Left (Antonio) – a talented artist, a friend and great guy which i recommended to check and follow: Spotify: here | Instagram: here
Also RNA Studios in Lisbon – a cutting-edge art/tech collective, merging sound and visuals in unique ways. We’ve done some cool collaborations: rna-studio.com
What’s your view on the music industry today? Where do you feel you sit within it?
The industry is changing, evolving fast, so I’m not really “sitting in it,” I’m moving with it, hehe.
I’ve always been merging art and tech: from my Audio-Visual immersive show, and AR exhibition that presenting my A-V Works, to creating an AI-generated video that won awards (21), to working on voice-modeling projects that brought late artists back to life, and later serving as CPO of an AI music video platform for indie artists and labels.
With Spacey Academy, I share this knowledge by mentoring artists, gicing masterclasses and lectures at music and art institutions, and music industry /tech conferences.
Nowadays, I’m also A&R/Curator for sync licensing, a cutting-edge platform that helping shape opportunities for musical artists to top-tier clients from the films, commercials, gaming and other industries…
So yeah—I’m living inside the pulse of this evolution.
What’s the biggest thing you’ve learned recently?
To trust my own voice—literally and creatively. Vulnerability became a strength.
What was your best experience on stage?
The first time I performed Audio-Visual Frequencies—my AV show where visuals are triggered in real time by every pad hit or bass wobble. It felt like multidimensional storytelling through immersive sound and light.
What was your worst experience on stage?
When the tech failed during a show that was built on tech. I had to let go and perform raw. That moment reconnected me to the naked essence of art-beyond the smoke and mirrors.
Tell us about your new music.
I just released All Around And Everywhere. I worked on the clip for a year alongside the song—it explores duality: day and night, feminine and masculine, sun and moon, through choreography and animation.
Following All I Want Is You To Stay and It’s Nothing (Something), this is the 4th release from my debut album. It continues to solidify my identity as a genre-blending artist, merging rich sonic storytelling with visual artistry—from hyper-pop to futuristic grooves.
These songs have been in the works for years, and I’ve already been performing them live. Of course, after releasing more than 3 hours of music to spotify, this is something i really stand behind and can say it’s my debut. I also have new unreleased material brewing.
What was the recording process like?
The phrase All Around And Everywhere actually came from a rhythmic element in the beat—it was the exact same pattern and syllables. From there, the verses came, telling a story of self-discovery and duality.
I played, performed, and recorded everything myself, and I feel it has a solid overall sound.
What was the biggest learning curve in writing the new tunes?
Allowing myself to be fully present as a singer-songwriter, not just a producer behind beats. It’s about vulnerability and honesty.
Would you change anything now it’s finished?
I always understand things only after doing them. Whatever I learn and the energy of wanting to change (even retrospective) is actually pushing me forward to do better stuff in the future and implement what I’ve learned.
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