Hiya Sabina, thanks for joining us in the virtual RGM lounge today. Grab a brew and take a seat
Thanks for joining us today… Tell us bit about where you are from and how you got into music?
Thanks, I’m from Malmö, Sweden and I also have Georgian roots. —-, and over time I started writing my own music and found a sound that’s quite emotional and cinematic, with indie-pop and Americana influences.
What’s the live music scene like in Malmö right now? Anyone we should be looking out for (bar you, of course)?
Yeah, Malmö’s got a really nice live scene actually. There’s always something happening. Places like Folk & Rock and Medley bring in a lot of touring acts, which is great, and then you’ve got spots like Plan B and Babel if you want something a bit more alternative. It’s quite a mix really — small gigs, bigger shows, different sounds — so it never really feels quiet musically.
What are your ambitions as an artist?
I want to keep building as an artist, reach new audiences, and take my music as far as it can go while growing the music in a way that feels honest to me, really. Releasing more songs, playing live, building a proper connection with people who actually relate to it.
Whats your favourite social media platform to use and why?
My favourite platform right now is Instagram because it feels like a visual diary where I can document ideas, moods, and creative moments in different ways. I like that it isn’t just one format, you can express yourself through posts, stories, reels, and even the way you curate your grid. It makes sharing feel more like storytelling than just posting.
We believe its essential to have a presence on Facebook, Instagram and X to introduce yourself to all the different types of audiences out there, what’s your thoughts on that?
Yes I think so too, since there are different types of audiences and you wanna try to reach as many as possible.
What’s your view on the Music industry today?
The music industry is always changing and pretty tough to navigate because it’s so competitive. Labels still have power, but independent artists can definitely build careers on their own now. At the same time, AI is changing how music gets made and bringing in new challenges too.
Whats your thoughts on AI generated music?
I’m not a fan of it simply put, it’s built from what already exists, it doesn’t have experiences, emotions, or intentions however I’d say it’s not “good or bad” on its own, it depends how it’s used. I think music means the most when it comes from real human skill, effort, and experience, because the time and personal input behind it are a big part of what makes it feel meaningful.
Whats the biggest thing you have learned recently as you progress with your music?
The biggest thing I’ve learned as I’ve progressed with my music is not to worry too much about what people think, because you can often be surprised by how positively they actually react to it.
What’s currently in your ears and on rotation at the moment?
Silver Springs by Fleetwood Mac.
What was your worst experience on stage? Any funny stories to share?
Once I had this huge gig, and all of a sudden we are all standing on stage and the drummer is missing. I decided to start without him and just thought, as a solo artist with guitar, I can always manage anyway and keep things going. Then, halfway into the next song, he suddenly showed up and jumped in like nothing had happened. The timing actually worked out perfectly, and the crowd had no idea anything had gone wrong. Definitely one of those gigs where you learn to just roll with whatever happens.
I hear you have new music. What can you tell us about it?
Yes, that’s right, the single is called “Can’t Let You Go.” It’s a pop/rock song about hope and heartbreak. This is a collaboration between me and Georgian composer Alterwill. It all started quite simply out of curiosity about what we could create together. We found this chord progression we really loved, and everything just started to grow from there, the melody came naturally, and then the lyrics followed the emotion of the music. It’s been a really organic and creative journey, and it’s exciting to see it all come together into something that people now connect too.
It was recorded at Leno Records with music producer George Gvarjaladze, whose credits include projects with Katie Melua and acclaimed indie and rock artists.
What was the recording process like?
It was exciting and intense. We approached it in a very organic way, working closely together in the studio. We had a clear vision of how we wanted it to sound and what we were aiming for, which helped guide us throughout. We wanted to create something big and atmospheric—think ’90s soft rock with a modern 2026 edge.
Is there anything else you would like to share with the world?
Oh yes, there is also a music video out on YouTube that brings the song to life visually, adds another layer to the story, so I’d really encourage people to check it out.
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