Hi Serij d’Artosis, thanks for joining us in the virtual RGM lounge today. Grab a brew and take a seat.
Thanks for joining us today. Your new EP “Vestige de Rêves” and the new single “Rêve 3: Narges” both carry a very cinematic and emotional atmosphere — where did the story behind this project begin, and what did you want to express through it?
I wanted to challenge myself and explore a more cinematic direction in my music, using a wider range of instruments. The main idea was to go beyond just recording acoustic piano and bring in more strings, drums, and other orchestral elements to create a richer atmosphere and stronger emotions throughout the project.
“Rêve 3: Narges” has a very emotional and cinematic feel, almost like a soundtrack to a personal story. What inspired the composition of this piece, and was there a specific image, memory, or emotion you had in mind while creating it?
Yes. The inspiration behind this piece was a girl living in Iran. I wanted to create a musical portrait of a woman who, while raising a child on her own, struggles with the hardships of war as well as everyday life in a country where human rights are being violated. Through this composition, I wanted to capture both her strength and determination, and the emotional weight she has to carry every single day.
What was the biggest challenge for you during the process of creating this composition?
The biggest challenge was balancing the cinematic scale of the arrangement with emotional clarity, so that the piece remained rich but also intimate and focused, while still maintaining a pulsating element, like a heartbeat.
How do you feel about the track already reaching 21K views on YouTube?
It’s a huge surprise for me. I didn’t expect the track to reach this result in just two weeks. I’m also very happy that it’s receiving positive feedback and reviews.
What are your ambitions for your solo career?
My only ambition is to continue learning and developing my technical skills on the piano and with virtual instruments, so that my music can bring joy and also provoke thought. I want it to evoke emotions.
Who are your musical idols?
I love minimalism and neoclassicism, and in that category I definitely admire Ludovico Einaudi and Yann Tiersen. When it comes to film music, I would also mention Danny Elfman and Philip Glass.
We believe its essential to have a presence on Facebook, Instagram and X to introduce yourself to all the different types of audiences out there, what’s your thoughts on that?
In today’s world, it’s probably unavoidable. However, I personally try to limit my use of social media and dedicate more time to music.
What’s your view on the Music industry today?
I think today’s music industry is both exciting and demanding. It’s easier than ever to reach listeners, but it’s harder to stand out with more subtle, emotional music. For me, the most important thing is to stay true to my own artistic vision.
Whats your thoughts on AI generated music?
Honestly, I find it a bit intimidating. I’ve heard what kind of music AI is capable of creating today. On one hand, it lacks something human, but at the same time AI is constantly evolving. I wouldn’t want it to replace us — musicians — one day.
Whats the biggest thing you have learned recently as you progress with your music?
While composing “Rêve 3: Narges,” I realized that creating a musical portrait of a real person is an especially challenging task. In this case, the image of a person is built entirely through notes and sound.
What’s currently in your ears and on rotation at the moment?
In my free time, when I want to step away from my own music, I most often listen to rock and heavy metal. I really enjoy going back to old records by Pantera, Slayer, and Motörhead.
What was your worst experience on stage?
So far, I have only played one concert in Vienna. The hardest part was definitely the stress. My audience consisted of musicians and pianists—people who have been involved in music for many years.
What was the recording process like?
I always start by composing on the piano. Then comes the recording, followed by working with virtual instruments.
Would you change anything now it’s finished?
There are pieces where I sometimes feel I would play them differently—either add something or take something away. However, in the case of “Rêve 3: Narges,” the piece is exactly as I wanted it to be. I wouldn’t change anything in it.
Is there anything else you would like to share with the world?
I would just like to say that I hope my music can connect with people on an emotional level and offer them a moment of reflection and escape.
FOLLOW HERE
🇫🇷 FOR MORE NEW MUSIC NEWS FROM FRANCE CHECK OUT RGM FRANCE 🇫🇷