It was the final day the final day of Tramlines 2025, and I think it’s safe to say it may have started with a bit of a hangover after a huge headline set from The Reytons, the previous night, whether that was through pure euphoria, or booze… or both.
Either way I felt like it was going to be hard to top, but of course I would definitely accept a decent ending to the weekend regardless!
And that it was! Sunday had a fantastic selection of artists from grassroots right up to big hitters on offer for the final day, giving a mixed bag of indie and chilled out pop, but with the injection of energy and that feel-good buzz.
Roy Stride – Frontman of Scouting for Girls on the Sarah Nulty Main Stage – Tramlines 2025 – Photo Credit: Hayley Grice
Kicking off the day for me on the Sarah Nulty Main Stage was Scouting For Girls – Now I’ve been a fan of Scouting For Girls since their self-titled debut album was released back in 2007, and it’s one of the reasons me and one of my best friends bonded properly (yes we’re still friends now!) – and it’s easy to see why, Scouting for Girls are basically comfort food in music form, they’re easy to listen, still pack plenty of energy and they know how to use a stage, particularly frontman Roy Stride!
They just have this infectious energy, whether it’s a simple keyboard melody, getting the audience to join in with the “wooooooohoohooooo” of “This Ain’t a Love Song”, it was Roy Stride jumping around the stage getting the crowd hyped up, and the crowd were soaking up every minute of it – even after 20 years of touring and making music.
Nick Tsang and Greg Churchouse of Scouting For Girls on the Sarah Nulty Main Stage – Tramlines 2025 – Photo Credit: Hayley Grice
As 2025 marks the 15th anniversary of their second album “Everybody Wants To Be on TV” – they did share some of their hits from it, as well as “This Ain’t A Love Song”, “Posh Girls” and “Famous” – but of course, they indulged in their greatest hits including “I wish I was James Bond” – mind you, only for 30 seconds before saying “You can see the rest if you come and see us on tour” – cheeky, but funny.
Of course the set finished with two of their biggest hits “She’s So Lovely” and “Elvis Ain’t Dead” – which made for a proper singalong finale, with the crowd soaking it all in, it was like being a teenager again and it certainly gave me a sense of that 00’s throwback (even though it pains me to say that the 00’s are now considered a throwback).
A perfect start to the day.
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Next up was The Sherlocks, another local South Yorkshire band…
Kiaran Crook of The Sherlocks on the Sarah Nulty Main Stage – Tramlines 2025 – Photo Credit: Lauren Basford
Tramlines did exceptionally well this year showcasing home turf talent of the local area, and The Sherlocks are no exception.
They brought confidence to the stage and were there to make a statement, their set was loud, fast, and incredibly energetic, which, realistically is what what you want to take it up a notch.
Naturally they played big hitters “Will You Be There?” and “Live for the Moment”, but also including some newer stuff from their latest album “Everything Must Make Sense!”, which admittedly is a bit heavier than their earlier material but still gives that indie-anthemic vibe!
The energy was electric, and the crowd responded with mosh pits, a bit of crowd surfing and singing along, the hangovers for some possibly starting to fade.
Not only that, you could just tell that The Sherlocks were buzzing to be back in Sheffield and they spoke about their love and pride for the local area – which is always nice.
An excellent set.
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Now down the M1 and slightly south-west, we meet The Clause from Birmingham.
The Clause playing to a packed-out Leadmill Stage Tent at Tramlines 2025 – Photo Credit: The Clause via Facebook
Now I’ve seen The Clause live before, when they actually supported The Reytons at Magna back in 2022, and I was impressed then, but since then they’ve climbed in popularity and are set to release their debut album “Victim of a Casual Thing” in October – so clearly they’re doing something right.
There was a definite buzz about them in the air, and my god did the live up to it.
Imagine Arctic Monkeys with a Brimingham twist, with a touch of 70’s glam, and a sprinkle of attitude, the right attitude of course, they have got it.
There was a lot of funky basslines, plus some sharp riffs and it had a bit of disco feel to it, with the injection of indie, it felt like The Clause are starting to settle into a comfortable style, whilst elevating it with every performance.
Particular standouts for me were “Electric” and of course, “In My Element” – whilst some of the crowd didn’t all know the words, it honestly didn’t matter, people were dancing, feet were tapping and generally having a great time, they definitely exceeded expectations and drew in a massive crowd on The Leadmill Stage.
L-R: Dan Crosfield, Pearce Macca, Hayley Grice, Liam Deakin – Pearce and Liam of The Clause – Photo Credit: Crosfield Content
I had the opportunity to speak to frontman Pearce Macca and guitarist Liam Deakin on Sunday, and they are two of the most down-to-earth and passionate lads I’ve ever had the pleasure of interviewing (interview coming soon!).
Definitely ones to watch.
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Next up was a band I utterly adore and was made up to see them on the line-up, it was Red Rum Club.
Red Rum Club performing on T’Other stage at Tramlines 2025 – Photo Credit: Hayley Grice
Now if you don’t know Red Rum Club, get to know, I’ve seen these guys really grow over the last few years and to see them on a high slot on the Tramlines line-up is really something, and they really rose to the occasion.
They packed out T’Other tent, with the size of the crowd alone being a pure testament for a longer high-slot on the Sarah Nulty Main Stage – but regardless of that, the crowd were ready and you could feel the energy bubbling across the tent.
Their signature sound, which is jangly indie riffs and of course their bold and unique trumpet sound – is just made for a big outdoor stage. It gives everything such a bigger edge and elevates it to the next level.
The crowd danced and sang, with “Eleanor” and “Matador” getting the biggest reactions (in my opinion) – but I also heard a few “HOO WAH”‘s in the crowd (if you know, you know) but honestly, every track landed, and that’s after really mixing up the setlist from their earlier material.
Having released their last album “Western Approaches” in 2024 and their upcoming album “Buck” which has already teased a couple of tracks, even those not up to speed were getting into it, pulled in by their infectious energy and variety of sounds.
Trumpet solos rang out across T’Other Stage tent and every member of the band looked like they were having the time of their lives.
Joe Corby (AKA Joe the Blow – yep!) – Trumpet Player of Red Rum Club on T’Other stage at Tramlines 2025 – Photo Credit: Hayley Grice
Frontman Fran Doran does a fantastic job, and had the entire tent (and those spilling out of it) clapping, jumping, and singing along, making it feel more like a party than a set.
It was definitely one of the most fun sets of the day, and I’m confident when I say they’re the kind of band that make you want to dance first, ask questions later – and it’s made me more excited for their upcoming album and tour.
I also had the opportunity to catch up with half of the Red Rum Club gang, and even though I’ve met and interviewed the lads many times – their down-to-earth personality, dry sense of humour and tongue-in-cheek style still shines through and they are genuinely lovely guys – (interview coming soon!).
L-R: Simon Hepworth, Michael McDermott, Hayley Grice, Lauren Basford and Fran Doran – post interview – Photo Credit: Lauren Basford
Also, having spotted this on the way back to my car each night, I have confirmed with Red Rum Club, infact Fran Doran, Michael McDermott and Simon Hepworth themselves that they do not own, nor own shares in this place.
Hoo-Wah Chinese Takeaway/Fish and Chip Shop on Middlewood Road in Hillsborough, despite strong links to Red Rum Club “Would You Rather Be Lonely?” The band have confirmed no affiliation – Photo Credit: Hayley Grice
Again, if you know, you know…
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And then for the big one of the day and the last act of 2025… Kasabian.
Kasabian on the Sarah Nulty Main Stage – Tramlines 2025 – Photo Credit: Hayley Grice
I was really looking forward to this.
Whilst I listened to and loved some of Kasabian’s earlier hits growing up, I somewhat rediscovered them after seeing them support Liam Gallagher at Knebworth in 2022 and fallen in love with them again.
I hadn’t seen them since then, but my god, they were great at Knebworth but what a bloody improvement! Following Tom Meighan’s departure, Sergio Lorenzo Pizzorno or Serge as we call him, has really settled into the frontman role beautifully, as he oozes confidence, his movements jumped off the big screens and he is owned every second of it.
Moments before their set, we were treated to the Women’s Euro’s final as England and Spain had gone to penalties, it ended in tears when that happened in 2023 for the Women’s World Cup, but this time it was a different story, the crowd were already hyped for Kasabian, but the win and singing along to “Freed From Desire” and “Hey Jude” only solidified that excitement and then Serge came bursting onto the stage in a stripey jumper and it was straight up energy from start to finish.
Kasabian frontman Serge on the Sarah Nulty Main Stage – Tramlines 2025 – Photo Credit: Hayley Grice
They of course had “Club Foot” as one of the opening songs and what ensued was instant chaos, in the best way possible.
Mosh pits erupted, beers flew (which I actually don’t endorse but stick with me ok), the energy was there and Serge was leading it and it was a bloody beautiful sight.
The set had a couple of dedications, including one for the Lionnesses that had just won their second Euro’s title in a row, plus they dedicated “Underdog” to the late Ozzy Osbourne, who had passed away just the week before.
Everyone had their arms in the air, screaming every word like it was 2009 again, like an out-of-body experience, even when they even dropped a couple of tracks from their latest album “Happenings” and surprisingly, the crowd didn’t dip when the new material came out, which goes to show that there were a number of loyal Kasabian fans out there and people genuinely enjoying their new tracks, which is always nice to see.
Of course they didn’t hold back with the pyro, strobes and on stage effects – (although no one was going to beat The Reytons efforts the night before on that front, to be honest) – which only added to the already insane energy, it was big-venue level show in a field.
Kasabian on the Sarah Nulty Main Stage from up above – Tramlines 2025 – Photo Credit: Hayley Grice
Big highlights for me were “Shoot the Runner” and “You’re in Love With a Psycho” as well as “Club Foot” (which is actually my favourite) but the finale of “Bless This Acid House” and “Fire” was absolutely sublime and it closed out the weekend perfectly.
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Well that draws Tramlines 2025 to a close, and there are so many artists I missed out on, but that just honestly shows what a proper masterclass Tramlines showcases in the variety and quality of acts on their line-up.
I’ve seen bands and artists I wouldn’t have usually considered, I’ve seen legends Pulp for the first time and indulged in both big favourites, guilty pleasures and of course local legends.
I’ve laughed, I’ve danced, I’ve sung my heart out and you know what, I can’t bloody wait to do it all again, I guess there’s nothing else to say other than, Tramlines, you’ve done it again.
See you next year.
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