Lois’s new album, ’67 Skies’, is a triumph of vintage inspiration and modern indie rock artistry. The Nottingham-based trio composed of John Selby, Rich Spencer, and Adrian Maguire delivers a collection of songs that blend nostalgia with originality. Recorded live in-studio at Superfly Studios with producer Andy Banfield, the album exudes raw energy and authenticity. The use of vintage gear adds to the throwback feel in the best way.
The opening track, “Over Rover”, kicks things off with a bang. It’s loud, fast, explosive and everything you want from a rock ‘n’ roll song. The bass after the second chorus really caught my ear, and overall, it’s a killer start that pulls you right in.
Next up is “G.S.F”, which has a totally different vibe. It’s got a Western kind of feel that immediately made me think of old cartoons I used to watch like Lucky Luke. The way the band switches things up with each song keeps you on your toes.
Later, “The Golden Grenadier” starts off acoustic before going full indie rock. It’s one of those tracks where you’re not really sure what’s coming next, and that unpredictability makes it fun to listen to. The guitar riffs are definitely a highlight.
Then there’s “She Breathes for Just a Moment”, which is the album’s lead single. It’s a quieter song that really lets the vocals shine. The simpler background lets you focus on the lyrics, which are pretty moving: “To try and make the pain all go away Misunderstood she breathes for just a moment Please don’t throw your life away And if you could, you could live for one more moment So please don’t throw your life away“
This song offers a quieter, reflective moment that contrasts beautifully with the high-energy songs around it.
After, it is time for “You’re Coming Back to Me I Know”. It starts with this cool tube station sound – background noise and an announcement. The opening riff is strong, but the song gets a bit repetitive by the end, especially since it’s almost five minutes long. It’s still solid, but maybe it could’ve been trimmed down a bit.
Lastly, the album ends with “It Won’t Be Long”, which, funny enough, is almost seven minutes long. I’m usually not a fan of long songs, but this one kept me hooked with its great drum and guitar work. The instruments take the spotlight here, and they’re worth the extra time.
Overall, the mix of high-energy rock and more introspective tracks in ’67 Skies’ shows off the band’s range. You can hear influences like The Doors and Pink Floyd, but they’ve got their own thing going too. If you’re into rock, this album is definitely worth a listen.
FOLLOW ON FACEBOOK // INSTAGRAM
MORE RGM NEWS HERE