Maddie Morris emerges from the vibrant city of Leeds like a folk phoenix, armed with an acoustic guitar and a heart full of activism. Her latest offering, “Skin,” is a stirring journey through the realms of queer joy, liberation, and the occasional IT teacher, all wrapped up in a blanket of intimate melodies.

Marsha P Johnson opens the album with a gentle yet determined stride, much like the activist it’s named after. The track weaves through the nuances of identity, much like Maddie’s distinctive voice weaves through the notes. It’s the perfect introduction to an album that’s not just about music; it’s a statement.

Cedar Swamp follows, a song that feels like a warm hug from the Irish countryside. If you close your eyes, you can almost smell the damp earth and feel the gentle breeze. It’s folk music in its purest form, a musical retreat to the simplicity of life.

Easily Bruised takes a turn towards vulnerability, reminiscent of a well-crafted folk ballad. The song’s fragility matches the delicate nature of Maddie’s lyricism, proving that strength doesn’t always roar; sometimes, it whispers through acoustic strings.

And then, we have The IT Teacher, a track that surprisingly doesn’t delve into the mysterious world of coding and coffee breaks. Instead, it paints a vivid picture of an enigmatic educator with a penchant for folk music. Maddie, were you trying to tell us something about your school crush?

Wee Weaver swings in, offering a delightful interlude that showcases Maddie’s storytelling prowess. It’s a charming tune that feels like a musical pause button, allowing listeners to catch their breath before the next emotional wave.

Must I Be Bound kicks off the second half of the album with a haunting melody. Maddie’s voice echoes like a ghost in an abandoned folk club, asking questions that linger long after the song concludes. The track’s melancholy is beautifully unsettling.

Icarus takes flight, guided by the collaborative brilliance of Archie Churchill-Moss, Belinda O’Hooley, Bryony Griffith, George Sansome, Janice Burns, Kath Ord, and Matt Downer. It’s a soaring testament to the power of musical partnerships and a standout moment on an already stellar album.

Tonight’s Show seems like a meta title, a nod to the very experience we’re having with “Skin.” Maddie takes center stage, and we’re willingly entranced by the show she’s putting on. It’s a captivating performance that encapsulates the album’s essence.

A Bonny Bunch of Roses feels like a musical time machine, transporting us to an era where folk music was the heartbeat of social commentary. It’s a timely reminder that, despite our modern struggles, the power of a well-strummed guitar and earnest lyrics endures.

The penultimate track, Political T-Shirt, rounds off the album with a poignant commentary on the intersection of art and activism. Maddie’s writing, emanating from hope rather than anger, encapsulates the album’s thematic core and leaves us with a sense of purpose.

“Skin,” produced by Pete Ord, is a crafted journey through the intimate, hopeful, and political facets of identity. Maddie Morris has delivered a significant addition to the folk music landscape, capturing the essence of their unique perspective. The collaborations with outstanding artists elevate the album, turning it into a collective celebration of talent and activism.

“Skin” is a reminder that sometimes, all it takes is a well-plucked string and a heartfelt lyric to spark change. Maddie Morris, take a bow – you’ve woven a folk tapestry that’s as beautiful as it is impactful.