Shanghai Treason’s third album ‘Sonder’ hits hard in more ways than one. There’s frustration, energy, and defiance packed into every track. But there is also a sense of celebration. They’re using the music to fight through the madness and come out stronger. And honestly? It works.
The album opens with “Bones” and I didn’t know what to expect at first. But wow, was I surprised. That mix of indie, rock and Celtic folk is absolutely infectious. The heavy guitars, gritty basslines, pounding drums, and their signature banjo set the tone for the rest of the album. If you’re not on board after this one, you might as well step off the train now.
“Dirty Work” keeps the energy high with a super catchy intro. The chorus, with its repeated “No longer we will do your dirty work” feels almost like a battle cry. It’s the kind of track that gets stuck in your head, making you want to raise a pint and shout along.
Then there’s “A Bullet With My Name On It”. This one is intense and overwhelming. It leans hard into punk, then suddenly pulls back into full-on Celtic territory. The layering of instruments and vocals creates a chaotic soundscape. Personally, I found it a bit too much at times but I have no doubt it’s a great song to experience live.
“An Old Deck of Cards” is hands down one of my favorites on the album. The chorus with all the voices stacked on top of each other gave me the feeling of being in an old tavern, surrounded by people singing together. There’s something so nostalgic and warm about it that I couldn’t help but smile. If I had one complaint, it would be that I wish it lasted a little longer!
“Tame The Moorlands” keeps the momentum going; no time to breathe, just more high-energy folk-punk madness.
Then, “Rattle The Cage”? Absolute mayhem. Heavy basslines, insane banjo, relentless drums, this track is tailor-made for a mosh pit. Also, finally, a song that stretches beyond the three-minute mark! (Took you long enough, lads)
By the time we get to “Ours For The Taking”, the Celtic elements take a backseat in favor of a more rock-driven sound. It acts as a bridge leading into “No Flak”, which goes full-on rock mode, ditching the banjo entirely. It’s all about defiance, fists in the air, and standing your ground.
“Ghost Notes” brings back that unmistakable Irish folk influence, with the banjo front and center. At times, it almost gives off bagpipe vibes, though I think it’s actually a tin whistle. Either way, it’s a nice change of pace.
The album closes with “Trading Tyrants”, which starts off hauntingly beautiful before exploding into an explosive song. A fitting way to end a record that thrives on both anger and resilience.
If I had to sum up ‘Sonder’ in a few words, I’d say it’s an adrenaline rush wrapped in folk-punk anthems. It’s raw, it’s fun, and it’s got a rebellious streak. This is the kind of album that’ll have you grinning for no reason.
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