For once, I’m reviewing something different: a live-recorded soundscape composition. Commissioned by the University of Sheffield’s department responsible for fundraising and graduate engagement, the piece was part of the “Forged in Sheffield, Shaping the Future” campaign. It was designed by Boyi Bai to serve as background sound during the guest entrance at The Royal Institution’s theater on October 15, 2024.
From the start, the recording pulls you in with the lively sounds of a market with people talking, movement and jazzy music in the background. The opening is engaging, drawing the listener into the bustling energy of the setting. However, as the piece progresses, certain elements introduce tension. A baby is crying and metallic sounds are a bit harsh on the ears, shifting the mood toward discomfort. The sudden sirens and screaming heighten this tension, but the return of music helps balance the intensity. I personally enjoy soundscapes that are more relaxing, so the sirens and screaming didn’t sit well with me.
The structure of the field recording has both strong and weaker moments. The following public transportation section, for example, drags a bit. It made me wonder if there was a particular reason for including that moment? Why that location at that time? Was it part of a bigger narrative? Without context, it feels like a lull in the experience.
Later on, the sound of rain or maybe wind in the leaves adds a dreamy, interpretative layer that I liked. But again, that part lingers longer than I expected. It had me questioning the choice not to trim it down. Are we following a specific journey? Does the whole recording need to be over 15 minutes?
The segment at what seems to be Uni Arms (?) also feels extended. The overlapping voices create a trippy, almost psychedelic effect, but it’s tough to make out what’s actually being said. If the focus was meant to be on a teacher’s speech, a closer mic placement would have helped make it clearer and understandable of the scene’s purpose.
That said, I really appreciated the ending; great production work with the sounds slowly fading away. It wrapped things up nicely and satisfyingly.
Overall, it’s an interesting soundscape, but some parts left me questioning their purpose. A stronger narrative or context around the intent of the recording would have made the listening experience more engaging.
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