Melissa Engleman’s Love from the Trilogy of Love, Death and Mexico is a heartfelt dive into Americana country. Hailing from Lockhart, Texas, Engleman wears her heart on her sleeve across this five-track EP, pouring raw emotion into every note. It’s a deeply sincere record.
“For As Long As My Heart Would Let Me” sets the tone as a tender, twangy ballad, weaving intricate guitar melodies around Engleman’s delicate yet emotive vocals. There’s a vulnerability here that’s immediately striking, and the track’s pacing gives it a reflective quality, like it’s been carved out of the quiet moments of a lonely evening. But while the song has a timeless feel, the mix leaves her vocals sitting just a little too low, making it harder to fully connect with the emotional weight she’s clearly delivering.
“Waiting For You” carries the energy forward, leaning into a classic Americana vibe with rolling percussion and wistful acoustic flourishes. This is the track where the EP feels most alive, as though the band behind her has fully settled into the groove. There’s an undeniable chemistry here, and Engleman’s vocal phrasing brings a palpable ache to the song.

“In the Quiet” Engleman’s tone is undeniably beautiful in this song, rising the EP to an entirely different level.
“Say Goodbye,” offers a refreshing change of pace. Engleman’s ability to balance melancholy with hope is on full display here, and it’s a standout moment that feels authentic to her artistry.
Closing out the EP, “Those Things” takes a more reflective approach, with a lil splash of ukulele and that voice it ties the collection together with understated grace. The lyrics here hit hard in their simplicity, and it’s a perfect encapsulation of Engleman’s ability to make the personal feel universal.
Love from the Trilogy of Love, Death and Mexico is a testament to Melissa Engleman’s resilience and artistry. Her vocals are packed with emotion, her songwriting is sharp, and her ability to craft vivid, lived-in stories is undeniable. Still, there’s room for growth—more daring production choices and a willingness to embrace the rougher edges of her sound could elevate her music to even greater heights.
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