The Afro Nick’s latest offering, Get There Before Noon (LA Mix), is a kaleidoscopic trip through the sun-soaked streets of Los Angeles, with a side of New York grit baked into its DNA. It’s a swirling blend of alternative rock, indie vibes, and psychedelic flourishes. But while the track has its high points, there are moments where it seems to wander a bit too far into its own haze.
The single kicks off with an interesting rig that sounds like it was a Commodore 64 loading, it’s fun and runs through the song nicely. It pulls you in. The addition of Grammy-winning synth player Leonardo Genovese brings a touch of cosmic cool, weaving trippy textures that elevate the track’s psychedelic edge. It’s polished yet raw enough to retain its indie charm, and that balance works in its favour. The Afro Nick’s raspy, earnest vocals layer well love the top.
Lyrically, Get There Before Noon carries a carpe diem vibe that resonates—though it doesn’t necessarily tread new ground. The message is relatable, but it feels a bit safe, relying on familiar tropes of living in the moment rather than diving deeper into what makes that philosophy uniquely Afro Nick. A sharper lyrical edge could’ve added more emotional weight to the song, making it feel more urgent and less like a breezy afternoon drive.
The production leans into a warm, analog feel, which suits the track’s nostalgic tone. There’s a sense that the LA mix is trying to cram a lot of ideas into a tight runtime, and while the ambition is admirable, it can feel a bit cluttered. Stripping back some layers or allowing individual elements to shine more clearly might give the track greater impact.
As a whole, Get There Before Noon (LA Mix) is a solid step forward for The Afro Nick, showcasing a sonic palette that’s equal parts dreamy and grounded.
It’s an enjoyable listen, even if it doesn’t completely break the mold. With its mix of shimmering psychedelia and indie rock sensibilities.
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